Thursday, January 11, 2018

Readers don’t want us to dillydally around

We mustn't waste our readers' time. We need to grab their attention from the outset, from the first sentence and the first paragraphs of our memoirs.

How do we do that? By deliberately crafting an opening to draw them in.

We need to make our readers curious. To hook them. To keep them reading.

But most writers don't know how to craft an effective opening. In fact, many of us don't even know what, specifically, we want to communicate.

So we scatter a few words and sentences across our computer screen and then we add or delete or move a few words—until we realize we're just flailing around. And we thank God nobody is reading over our shoulder because first attempts can be really embarrassing.

But don't worry. Believe it or not, we are making progress. We are experimenting and, in the process, we're constructing scaffolding which will help us build a sturdy opening. Really.

Our scaffolding gets us going, provides momentum, and helps us zero in on the story we want to write.

"As the tennis player rallies before the game begins,
so must the writer.
And as the tennis player
is not concerned with where those first balls are going,
neither must the writer be concerned
with the first paragraph or two.
All you're doing is warming up."
Leonard S. Bernstein

Decades ago, I learned about scaffolding from Donald Murray, and later from Roy Peter Clark and Don Fry, authors of Coaching Writers: Editors and Writers Working Together. They say, 

". . . Sometimes the writer must write her way into the story, creating sentences that can't appear in the final version but do get the writer to where she wants to go. So the writer erects a scaffold to build the story, but dismantles it to let the story show through."

So then, scaffolding is temporary, a structure that supports the construction of what will eventually stand alone.

"Good stories . . . leap right to their subjects, perhaps not in draft one, or draft six, but at some point, the introductory apparatus is cut, seen for what it is: scaffolding. You put up the elaborate and complicated and even beautiful scaffolding and build the cathedral. When the cathedral is complete, well, you take the scaffolding down." (Writing Life Stories)

So begin writing, knowing that later you might delete some or all of those initial attempts. (And nowadays, deleting and rearranging and rewriting are so much easier than they used to be—back when we used typewriters, sometimes manual typewriters, and later electric. If you've never typed compositions or articles or books on a typewriter, you have no idea how computers have revolutionized writers' lives!)

Readers will like us and our memoirs better 
if we remove the scaffolding.


Because they don't want us to dillydally around. They want us to get right to the point.

When we do, our stories have punch, focus, and power.

Look over your memoir's opening. Read it aloud.

And answer these questions:

What is my memoir's main point—the story's purpose? Its signficance?

Do my first few paragraphs focus on or aim toward that main point?

Do my readers need to know this information? Or is it scaffolding—did I write it only to find my way into my story?

Dismantle your scaffolding. Let your story stand strong.

Tuesday, January 9, 2018

Tuesday Tidbit: Does your memoir’s opening grab readers?

You want readers to keep reading, to keep turning the pages of your memoir, right?

That means you need to rewrite and edit to make it the very best it can be!

Start by examining your memoir’s beginning. Ask yourself, Will this catch the attention of my readers and make them want to keep reading?

Experiment with several versions of your opening paragraph. Work on making it strong and vivid and inviting. And have fun doing it!

Come back Thursday and we’ll look at specific ways to craft powerful openings and pull readers in.

Thursday, January 4, 2018

Will you publish your memoir in 2018?

You might have set aside your writing over the holidays—I did. And I didn’t feel guilty about it.

Why? Because sometimes taking a break is exactly what we need to refresh, revitalize, and invigorate ourselves for the writing tasks ahead.

We just can’t let our breaks linger too long.

Determine in 2018 to make significant progress on your writing project. I’m guessing quite a few of you will publish your memoir in 2018!

Your story is not your own.
It has been entrusted to you by God
for something bigger than you might realize right now.

In his devotional, Quiet Moments with God, Lloyd Ogilvie prays for God to help him be a communicator of His grace to others. He continues praying:

“All You have taught me on the mountaintops of victory or the valleys of trials has been to help me say to others, ‘I know what you’re going through—I’ve been there!’ Help me see life as a school of grace equipping me for a ministry of sharing. Thank you, Lord, for what I will learn . . . that will enable me to help someone who will need just what I’ve discovered.”

Those words are true for you and for me, too. So are these next ones:

“The life I touch for good or ill
will touch another life,
and in turn another,
until who knows where the trembling stops
or in what place my touch will be felt.”
Frederick Buechner, The Hungering Dark

Your memoir can communicate God’s grace, hope, peace, and encouragement to others.

So as you step into 2018, renew your sense of ministry. Recognize you’ve received a sacred calling.

If you took a break from writing over the holidays, don't feel guilty! The breather probably was good for you. But now is the time to get back to work!

If you plan to publish your memoir in 2018, 
leave a comment below 

Happy writing!