Does your opening make your memoir a must-read?

 

In writing your memoir, you must craft every aspect well, but your beginning could make or break your entire book.

 

Because of that, you’ll need to create curiosity, draw readers in, and keep them reading.

 

An opening is probably the hardest for all of us to create, whether we’re composing a book, vignette, newspaper or magazine article, blog post, inspirational talk, or sermon.

 

Brian Clark drives home that point:

 

“Master copywriter Gene Schwartz

often spent an entire week on the first 50 words. . . .

Those 50 words are the most important part

of any persuasive writing,

and writing them takes time.

Even for the masters.”

 

Read that again: “ . . . writing them takes time. Even for the masters.”

 

How are you doing on crafting your memoir’s beginning?

 

Here are a few tips:

 

Remove your scaffolding. (Don’t miss that link!) Your first few paragraphs must be the correct ones.

 

Be sure your beginning doesn’t give away the ending. This might seem like a no-brainer, but too many people goof on that.

 

Prolific author and New York Times bestselling author Cecil Murphey says, “I once read more than one hundred of the entries for Christmas Miracles, a compilation book. The major flaw in at least a third of them was that they told us the ending before they told us the story.” Cecil gave this example: “The worst Christmas of my life became the best Christmas ever.”

 

Instead of giving away the ending, intrigue your readers: Entice them to keep reading so they’ll discover how your memoir ends.

 

When I teach memoir classes, I encourage people to do what I did when I was a journalism student (and still do today): Study openings written by pros.

 

Be an eager student: Go to the library, or browse around a book store, or look through your own stack of books, or look inside memoirs on Amazon—but only those written by pros. Study how they do it.

 

Scrutinize the start of everything you come across—newspaper articles, magazine articles, literary journals, fiction—anything written by pros, and study how they do it.

 

Once you’ve acquainted yourself with professionally composed openings, look at how non-pros write them. 

 

By studying beginnings penned by 

both pros and beginners, 

you’ll recognize what works 

and what doesn’t. 

And you’ll become more skilled 

at creating your own memoir’s opening.

 

Remember: Plan to take plenty of time to create just the right beginning.

 

The first part of your memoir can make or break the whole book.

 

An effective start can motivate a person 

to keep reading,

but a weak one could persuade him 

to close your memoir and walk away.

 

Put in the hard work needed to make your opening zing.

 

Before people buy your memoir, they’ll check out its opening

Reading time: 2 minutes, 10 seconds

Anne R. Allen points out that when potential buyers check into a book, “. . . All readers want to see that a book looks professional and polished.

“They don’t want to invest time in a book—even if it’s free—unless they feel they’re in competent hands.”

And your competence, or lack of it, will be apparent from the first paragraph and first page so you need to work hard to make them shine.

Craft an opening that catches potential readers’ attention, stirs their emotions, and makes them curious to know more—in other words, an opening that inspires them to plunk down money for your memoir and read it.  

Keep this in mind: You’re not on your own in fashioning your memoir’s opening:   

• You can get outstanding help from a quality critique group, either in person or online. Such groups are invaluable! Let your critique partners experiment with you on crafting a powerful lead (opening, beginning).
• We here at SM 101 are also here to help.

We’ve already covered the following types of leads—The Quote Lead and

The Scene-setting Lead. (If you missed recent blog posts, click on links below.)

So today let’s continue with more options for creating a powerful start to your memoir:

The Action (or Narrative) Lead: “The dusty earth vibrated and bushes crashed, snapping the silence of the tawny African plain. . . . We caught a blurred glimpse of some creature approaching us, carving a path through the dense thorn scrub brush. Two tick-eating birds flapped frantically off a massive iron-grey back as their resting place lunged out from under them. Now we saw clearly what was heading our way. It was a rhinoceros, one of Africa’s most unpredictable animals.” (Dr. Jon Arensen, Rhino!)

(Jon and I worked together in Africa. Besides being a great storyteller and author, Jon is an anthropologist, linguist, Bible translator, and university professor. Look into Jon’s other books on Amazon.)

The Anecdote Lead: Use a short story to illustrate or personalize your story’s broader topic or main point.

For example, this anecdote kicks off a story about a broad topic, the proliferation of gun violence across America:

“Even before the fireworks launched from the French Quarter’s Jackson Square, 2006 went out with a bang in New Orleans—a handful of them, actually. At 7 p.m. on December 31, several of those bangs felled a 42-year-old man, who was found inside his FEMA trailer with multiple gunshot wounds to the back of his head. At 8:45 p.m., another man was shot several times and left dead on the sidewalk. At 10:12 p.m., a third was killed inside his home.” (The New Math on Crime, by Will Sullivan, U.S. News and World Report, January 15, 2007).

A Statistics Lead, if brief, can effectively catch readers’ attention and persuade them to keep reading.

For example, “Around the world, 925 million people—more than the populations of North America and South America combined—go hungry on a daily basis,” and Guatemala “has the highest percentage of chronically malnourished children in Latin America (the fourth highest in the world). In some areas, chronic malnutrition causes 90 percent of children to suffer.” (World Vision)

Lead-writing can be hard work, even for pros. Like Bill Roorbach said,

“ . . . Most first lines weren’t first till after much revision. . . .”

That means: Give yourself permission to take weeks, or months, or even years to settle on your memoir’s opening. 

An effective beginning can motivate a person to buy your book,

but a weak one could persuade him to close your memoir 

and walk away.

Next week: More ways to begin your memoir!

Related posts:

The Quote Lead

The Scene-setting Lead

Does your memoir’s beginning pass the test?

Does your opening make your memoir a must-read?

If you don’t get this right, you’ll lose readers. 

Why should you wait to write your memoir’s opening?

Tuesday Tidbit: Your memoir’s opening—like a Baked Alaska?

Reading time: 16 seconds

Has it ever occurred to you that your memoir’s opening could resemble a Baked Alaska?

Come back Thursday for specific tips

on writing an attention-grabbing opening.

If you missed the last two blog posts, click on links below:

Does your memoir's beginning pass the test?

Does your opening make your memoir a must-read?

There you have it, your Tuesday Tidbit.

See you Thursday!

Does your opening make your memoir a must-read?

Reading time: 1 minute, 43 seconds

Your memoir’s opening is the most important part to write well.

You must craft every aspect well, but your beginning could make or break your entire book—so create curiosity, draw readers in, and keep them reading.

A written piece’s opening will probably be the hardest to create, whether you’re composing a book, vignette, newspaper or magazine article, blog post, inspirational talk, or sermon.

Brian Clark drives home that point:

“Master copywriter Gene Schwartz often spent an entire week on the first 50 words. . . . Those 50 words are the most important part of any persuasive writing, and writing them takes time. Even for the masters.”

Read that again: “ . . . writing them takes time. Even for the masters.”

How are you doing on crafting your memoir’s beginning?

Here are a few tips:

Remove your scaffolding. (Don’t miss that link!) Your first few paragraphs must be the correct ones.

Be sure your beginning doesn’t give away the ending. This might seem like a no-brainer, but too many people goof on that.

Prolific author and New York Times bestselling author Cecil Murphey says, “I once read more than one hundred of the entries for Christmas Miracles, a compilation book. The major flaw in at least a third of them was that they told us the ending before they told us the story.” Cecil gave this example: “The worst Christmas of my life became the best Christmas ever.”

Instead of giving away the ending, intrigue your readers. Entice them to keep reading so they’ll discover how your memoir ends.

When I teach memoir classes, I encourage people to do what I did when I was a journalism student (and still do today): Study openings written by pros.

Be an eager student: Go to the library, browse around a book store, look through your own stack of books, and look inside memoirs on Amazon—but only those written by pros. Study how they do it.

Scrutinize the start of everything you come across—newspaper articles, magazine articles, literary journals, fiction—anything written by pros, and study how they do it.

Once you’ve acquainted yourself with professionally composed openings, look at how non-pros write them, whether memoirs, fiction, articles, or blog posts. (Most blogs I follow have weak beginnings, sad to say.)

By studying beginnings penned by both pros and beginners, you’ll recognize what works and what doesn’t. And you’ll become more skilled at creating your own memoir’s opening.

Remember: Plan to take plenty of time 

to create just the right beginning.

The first part of your memoir can make or break the whole book.

An effective start can motivate a person to keep reading,

but a weak one could persuade him to close your memoir and walk away.

Put in the hard work needed to make your opening zing.

Tuesday Tidbit: Spotting major flaws in your memoir’s opening

Here’s your 15 seconds of inspiration,

this week’s Tuesday Tidbit:

Prolific author Cecil Murphey said, “I once read more than one hundred of the entries for Christmas Miracles, a compilation book. The major flaw in at least a third of them was that they told us the ending before they told us the story.”

How are you doing on your memoir’s beginning?

Matilda Butler offers brief but oh-so-practical tips on making your memoir’s opening sparkle. Check out her writing prompts at Now It’s Your Turn.

Related posts :

Excellent resources for your memoir’s opening

Tips for writing a top-notch opening

First lines

Openings: the hardest part

Sharon Lippincott’s tips on writing your opening paragraph

A writing contest over at Women’s Memoirs

First Paragraph contest winners

Silver Award winners

Openings: the hardest part

Your opening is the most important part to write well—whether you’re penning a book, a vignette, an article, a blog post, or an opening paragraph for the Women’s Memoirs contest. (The contest is open to men, too.)

If you don’t hook your readers from the beginning—if you don’t create curiosity, if you don’t present your story as a must-read, they probably won’t keep reading.

Besides your opening being the most important part, it will probably be the hardest part to write well.

Hardest, you ask? Yes, read on….

Brian Clark drives home that point: “Master copywriter Gene Schwartz often spent an entire week on the first 50 words… Those 50 words are the most important part of any persuasive writing, and writing them well takes time. Even for the masters.”

For the past couple of weeks I’ve been working on an opening paragraph for the Women’s Memoir contest, and I’ve revised it at least 20 times. I’m not sure yet if the current draft will be the final one.

How are you doing on crafting your openings? Even if you’re not entering the contest, your openings need to sparkle.

Here are a few tips:

First, be sure your first paragraph is the correct one! Remove your scaffolding.

Next, be sure your opening doesn’t give away your story’s ending.

That might seem like a no-brainer, but too many of us goof on that.

Prolific writer (over 135 books) and New York Times bestselling author, Cecil Murphey, says, “I once read more than one hundred of the entries for Christmas Miracles, a compilation book. The major flaw in at least a third of them was that they told us the ending before they told us the story.” He gave this example: "The worst Christmas of my life became the best Christmas ever."

Instead of giving away the ending, intrigue your readers, make them curious, and entice them to keep reading so they’ll discover how your story pulls together at the end.

Learn the difference between effective and weak openings. How?

On Facebook recently, Cec shared a good tip: “One way to learn to write good beginnings is to see how the professionals do it. Although some do it better than others, I learned a great deal about beginnings by reading only first paragraphs of half a dozen books every day for a week.”

So, scrutinize first paragraphs of six books every day for a week—or whatever works for you—and be sure to read books written by professional writers. (There’s a lot of junk out there.)

Note openings in everything you read: articles, blog posts, sermons, fiction, and creative nonfiction. Some will work well, others won’t. Ask yourself, “Why do some entice me to read on—or not?”

Be sure to check out links below about leads. You’ll find a lot of good stuff there!

Next, examine your opening, your beginning (sometimes called lead, lede, or hook) and revise, revise, revise.

The opening is probably the most difficult part to write well.

Your beginning can make or break your story:

An effective opening can persuade a person to keep reading—

but a weak opening can make a person close the book and walk away.

Put in the hard work needed to make your opening zing.

Related posts:

A writing contest over at Women’s Memoirs

Remove your scaffolding 

Tips for writing a top-notch opening

Leads, Part 1

Leads, Part 2

Leads, Part 3

Leads, Part 4