Have you lined up your beta readers yet?

You want to publish a memoir of professional quality. That means you have lots of work to do. It also means you need to enlist the help of others also committed to professional quality.

Beta readers can serve as one of your most valuable resources—but what is a beta reader?

After you, the writer/alpha reader, do your best to polish your manuscript, a beta reader reads it and makes suggestions to help you make it even better before you send it off—to an editor if you plan to self-publish, or to an agent or editor if you hope to work with a traditional publisher.

Julie-Ann Harper defines a beta reader this way: “The term ‘beta’ is borrowed from the software industry, meaning the beta tests or reads your full manuscript to help you eliminate problems so you can improve its readability, its usefulness, and even its saleability before it’s published. Beta readers help with plot holes, clarity, pacing problems and of course mistakes.”

“Authors need beta readers to understand how people read their book and…to identify confusing or irrelevant spots,” writes Amanda Shofner. “Every author has weakenesses. You do, too—but you’re blind to them. Beta readers won’t be. And soliciting feedback from beta readers is your chance to address the weak spots of your manuscript…..”

Jami Gold explains, “Beta reading is not about the reader’s knowledge of the craft of writing, but about what works and doesn’t work for them as reader.”  She also says a beta reader “can offer feedback on big-picture aspects: story arc, character development, pacing, etc….” 

In her article, TheUltimate Guide to Working with Beta Readers, Amanda Shofner covers the following topics:

• Why beta readers?
• Who [do] you want as a beta reader?
• How do you prepare your manuscript for betas?
• What do you want from your betas?
• How do you deal with feedback (without freaking out)?
• How do you implement beta feedback?

K.M. Weiland lists seven things to look for in a beta reader. She says, “You want someone who:

• Enjoys your genre.
• Understands your intentions for your stories.
• Likes our stories, in general.
• Isn’t afraid to tell you what isn’t working.
• Is an experienced reader and/or writer (both bring important insights…).
• Is reliable and trustworthy.
• You like—and who likes you in return.”

K.M.’s post also lists links for online communities to help you find beta readers. Don’t miss her article, 15 Places to Find Your Next Beta Reader.

Be sure to read Ann R. Allen’s excellent post, All About Beta Readers: 7 Ways They Can Improve Your Book. Though she often addresses writers of fiction, Ann’s points pertain to those who write memoirs, too. She covers the following:

• I’m in a Critique Group—Do I Need Beta Readers?
• Do Beta Readers Have to be Writers?
• Should You Pay for Beta Readers?
• Beta Read Exchanges
• Tips for Authors in a Beta Read Exchange

Ann also offers 7 Valuable Things Beta Readers Do:

• Find Repeated Words and Phrases and Confusing or Dropped Names
• Flag Continuity Issues
• Catch Dropped Storylines and Loose Ends
• Alert Authors to Murky Motivation and “Unlikeable” Characters
• Tell Authors When They’ve Lost the Plot
• Fine-Tune “Sensitivity” Issues
• Tell Us What Works!

The Write Life named Ann R. Allen’s blog as one of The 100 Best Websites for Writers for 2017. Be sure to check it out. You can also follow her on Facebook.

Julie-Ann Harper offers the following tools for finding beta readers:  

“Wattpad is a well-established website for finding beta readers. Scribophile is famous for the detailed and helpful critiques their members exchange. Beta Reader’s Hub is a source blog for beta readers.”

Beta readers, then, help you improve your manuscript so you can publish a quality memoir.  Their feedback allows you to make changes in private so that when your book is in print, you won’t be embarrassed in public.

For now, jot down a list of people who might agree to serve as your beta readers. Then come back next week for more info about finding and working with your beta readers.

Your publishing options

When you have edited and rewritten and polished your manuscript until it’s the very best you can make it, you’ll want to publish your memoir.

I’m not going to recommend a publisher because in recent years the industry has changed significantly and continues to do so. But you have several options:  (a) traditional publishing, or (b) indie publishing (independent publishing, sometimes called self-publishing, including POD—print on demand), or (c) something else—like photocopied and bound at an office supply store. (One of my friends wrote her stories by hand and that’s okay too. What a treasure that will be for generations to come!)

Some people, especially older ones, turn their noses up at indie publishing—they believe the only respectable publishing choice is traditional publishing. Indie publishing used to have a bad reputation because authors didn’t write well, edit well, or format well.

But indie publishing has improved greatly in recent years. Most companies offer packages that include editing, formatting, and other helps. Some companies are so professional nowadays that a number of established writers are choosing the indie option, including authors who have had previous success with traditional publishing.

If you choose indie publishing, I strongly recommend that you have critique partners and beta readers go over your manuscript. If they do their job well, you can consider both as your best friends and allies—they’ll help you work hard to make your manuscript as professional as possible. (Be sure to read Belinda Pollard’s informative post, What is a beta reader and why do I need one? Don’t miss the additional links she put at the bottom of her post.)

In addition, consider hiring a professional editor before you publish your memoir. This is pricey, but if you’re striving for professional quality, hiring an editor is, in most cases, a must. And, like critique partners and beta readers, you can consider an editor another of your best friends and allies in helping you craft a professional manuscript. (If you are already skilled in editing, critique partners and beta readers might be all you need. Watch for more on editing in a future blog post.)

Explore the internet for indie publishing companies and you’ll find a variety of options, packages, qualities, and prices. It’s mind-boggling. Get recommendations from other published writers.

If possible, get an in-person look at a book published by each company you’re interested in. You might be surprised at how different the finished books are when it comes to (1) paper quality, (b) font choice and size, (c) spacing of lines and margins, and (d) photos.

For example, take a look inside a few indie books:

In the photo below, notice that the paper is so thin you can see writing on the back side of the page. In fact, you can even see the print on the page before it! This might be #20 or #24 pound paper like you use in your printer at home.  In my opinion, 70# paper is the best. Don’t settle for anything less than #50.

In this next picture, the author typed his manuscript on a manual typewriter—the letter t in the word “often” gives it away.  Bless his heart! (In my youth and young adulthood I typed thousands of pages on manual typewriters so I know what a task that was for him.)

Notice that sometimes he left one space between words, other times two spaces. When you format your manuscript, be sure you’ve put only one space between words and only one space between sentences.

Compare the above picture with the one below which was not typed with a manual typewriter; this looks like Times New Roman  font, which is  popular. Once in a while you’ll run across a book using one of the sans-serif fonts like Helvetica.

Also notice this page has more space between the lines than the one above. Such spaces make reading easier.

In this next picture, notice the smaller spacing between lines as well as the margin, which is only 3/8". That narrow margin is something to avoid.

  

In the picture below, you'll see a good space between lines and a good margin at 9/16". 

In the photo below, notice how close the lines are together as well as the very narrow margin, only 3/8". It doesn't look user-friendly to most people. 

Include plenty of white space on your book's pages. Compare the photo above with the photo below.

Strive for quality photos. Below is an example of a poor quality photo and it's from my first memoir. I made the mistake of not checking with the publisher as to the quality I could expect. I won't do that again!

Compare that with the good photo below. Night and day difference!

It’s not easy to choose a way to publish your memoir. If you choose indie publishing, you’ll have to decide how much money you want to spend. Click on links below to compare the following companies. (If you want less pricey options, soon I’ll write about a couple of more affordable POD options, that is, Print On Demand.)

HIS Publishing Group

Gold Publishing Package 

Silver Publishing Package  

Basic Publishing Package    

Westbow Press packages  

iUniverse black and white packages 

In making your decision, note such things as whether the indie publisher does cover design, provides editing services, an ISBN number, a US copyright, and book distribution.

Also check to see if color photos are an option; if not, ask yourself if you’re okay with black and white. Either way, check out the quality you can expect from each company by asking to see, with your own eyes, one or more of their books. Strive for quality photos. Make it your business to learn how to use a photo editing program to make your photos the best quality they can be. Poor photo quality is the most irksome problem I’ve seen in indie books.

Once you choose your publisher, you’ll still have a lot of work to do, but if you’ve done your homework well and strive for a professional product, if you write well, edit well, and format well, you could be very happy when you hold your published memoir in your hands and when you give copies to your family and friends.