Showing posts with label Don’t Make Me Go: A Foot-Dragger’s Memoir. Show all posts
Showing posts with label Don’t Make Me Go: A Foot-Dragger’s Memoir. Show all posts

Tuesday, December 12, 2023

Dreaming of a black Christmas


Today I’ll share a December excerpt from my memoir, Please, God, Don’t Make Me Go: A Foot-Dragger’s Memoir. The scene takes place on a mission center, Lomalinda (pretty hill), in South America, during our family’s first December there. 


But first, review Your Christmas stories need sensory details, and then notice those that I included in my excerpts, below. (Sensory details: What do you see, hear, taste, smell, and feel?) 


Lomalinda was into the dry season with clean cerulean skies and hardly a wisp of a cloud. Daytime temperatures rose to over a hundred degrees in the shade—cruel, withering. The green scent of the rainy season had given way to the spicy fragrance of sun-dried grasses. Immense stretches of emerald disappeared, leaving grasslands stiff and simmering under unrelenting sun.

      Muddy paths and single-lane tracks turned rock-hard and, with use, changed to dust. Yards and airstrips and open fields turned to dust, too. 

      From sunrise to sundown, a strong wind blew across the llanos, a gift from God because it offered a little relief from the heat. On the other hand, we had to use rocks and paperweights and other heavy objects to keep papers from blowing away. Dust blew through slatted windows and into homes and offices and settled on our counters and furniture and in cracks and crannies and on our necks and in our armpits and up our noses. . . . 

      During rainy season, sometimes laundry took days to dry in our screened-in porch, but in dry season I hung laundry outside and, after pegging up the last garment in the laundry basket, I took down the first pieces I’d hung—the hot wind had already dried them.

      Dry season gave homes and furniture and clothing and shoes and photos and slides a chance to de-mildew. Roads were easier to navigate, no longer gooey with mud. The parched wind gave us a break from the profuse sweating we endured in the rainy season so, in that way, it was a friend.

      But dry season could also be a foe. One sizzling afternoon, Dr. Altig hollered at our door, “Call for help! We have a fire!” Across the road behind Ruth’s house, flames leaped and smoke billowed. . . .



That year, our family’s first there, we learned December traditionally was a time of wildfires in and around Lomalinda, leaving acres of black ashes. Shortly after that day’s fire, the following happened:


One December day I walked a sun-cracked track while that celestial fireball cooked my skin and the smell of charred grassland swirled in the breeze. The school principal puttered up to me on her red motorbike. “It’s beginning to look a lot like Christmas!”

      Pris watched me for a few seconds and then laughed—my face had betrayed my thoughts. I had to bite my tongue to keep from saying, “This looks like Christmas? You’ve got to be kidding!”

    To me, Christmas looks like frost-covered evergreens, and snowflakes, and frozen puddles. Heavy coats, scarves, mittens, boots. Runny noses. Sledding. Ice skating. Swags of cedar and pine and holly tied with red ribbons.

      I learned a lesson on that hot, dry December day. “It’s beginning to look a lot like Christmas” means different things to different people. To most Lomalindians, especially kids, Christmas looked like a bleached landscape, charred fields, hot wind, and a whiff of ashes in the air. Folks enjoyed saying, “I’m dreaming of a black Christmas.”


What are your memories of unique Christmases? 

  • Did you spend one Christmas fighting a war overseas? 
  • Or did you celebrate the holiday in Hawaii one year? 
  • Or did you take a trip to the Holy Land?


What about traditions you enjoyed

  • Playing fun games 
  • Serving Christmas Eve dinner at a homeless shelter
  • Going to the Nutcracker each year
  • Watching It’s A Wonderful Life or Rudolph, the Red-Nosed Reindeer
  • Christmas caroling in nursing homes


What memories of traditional Christmas food do you have?


If you have a Nordic background, you might have traditions around smörgåsbords with

  • lutefisk, 
  • pepparkakor, 
  • gubbröra, 
  • liver pâté,
  • vörtbröd, 
  • pickled herring, 
  • pinnekjôtt,
  • glögg, and
  • julekaker.


If you have a Scottish background, you might have 

  • haggis 
  • tatties and neeps, 
  • black pudding, 
  • Cock-a-leekie soup,
  • clootie dumpling, and 
  • Yorkshire pudding. 


Have fun remembering Christmases past.


This is a super busy time of year, but if you keep a pencil and paper handy, simply jot down ideas for now. When things settle down after the holidays, you can spend more time on a rough draft.


And be sure to include sensory details.


Tuesday, December 5, 2023

Offer readers your all-important takeaways to help them move from mourning to thanksgiving

 

For the past couple of weeks, you’ve considered writing stories in your memoir that embrace both mourning and thanksgiving. (Click on What can you offer readers about mourning AND thanksgiving?)

 

You’ve experienced heartbreaks, setbacks,

and devastating losses.

 

But now, years later, you recognize

there’s more to your story.

Something to be thankful for.

 

Not only did you survive, but now

you acknowledge the silver lining of your heartache.

 

You came out on the other side of your sorrow

thanking God for the blessings wrapped up in the hurts.

 

He brought beauty from your ashes:

He gave you the oil of joy—a joyous blessing—

instead of mourning,

and a garment of praise

instead of heaviness and despair (Isaiah 61:3).

 

That’s what you want to put in writing

for your family and friends.

(See Part 2: What can you offer readers

about mourning AND thanksgiving?)

 

As beautiful as the story now is, it isn’t complete unless you include takeaways for readers.

 

Offering people a takeaway means you tell them the most important lesson you took away from a given experience. You tell them how you gained clarity and wisdom, how that helped make sense of your life, and how you changed as a result.

 

Give words to the principle you learned—think of the takeaway as a precept, a saying, a guideline, an adagesomething readers can live by, a principle that can be life-changing for them, too.

 

Your takeaways are the most powerful part of your memoir. They offer readers hopeor wisdom, or courage, or laughter, or a solution, or a new way of living or loving.

 

Your takeaways communicate to readers:

I know this is true because I have experienced it.

I have lived it. It changed my life.

Perhaps it will change your life, too.” 

(Read more at Your memoir’s takeaways can change lives.)

 

Below you’ll find examples of takeaways. I hope they’ll inspire you to share with others about both mourning and thanksgiving:

 

“At first glance, the thought that there is a blessing in our wounds sounds absurd,” writes Julie Sousa Bradley Lilly. She lists memories of “betrayals, insults, abandonments, embarrassments, injuries, pain and loss. . . .”

 

“When I have resisted bitterness and sought [God] in a hard or painful circumstance, He has used it to transform me into a better person that chooses a different path. Betrayals made me loyal. Insults made me kind. Abandonments made me faithful. . . . And injuries, pain and loss made me more compassionate and generous. . . .

 

“Terrible things happen in this life, and I wouldn’t for a second minimize another’s suffering. I only want to offer an opportunity to exchange a label of ‘victim’ for one that says, ‘blessed.’” (Blessings in Our Wounds, Julie Sousa Bradley Lilly, Ragamuffin Warrior)

 

Below you’ll find several other sample takeaways to help you write your own takeaways:  

 

“I’ve learned to embrace change, and acknowledge my fears knowing that no matter what lies ahead, God is ever present and I never have to walk this journey alone. And neither do you. Let’s not forget that although change, closed chapters, and life moving forward may bring us saddened hearts, it also brings us out of our comfort zones, spurring new beginnings and opportunities. By altering our perspective, often without notice, little by little we transform—our hearts, our views, our lives, our faith. We become wiser, stronger, more resilient, and positive . . . . What a gift. One day at a time, we got this.” (Daphne Bach Greer—the Sweeter Side of Grief)

 

The Farm Wyfe, Amanda Wells, offers this: “I’ve done enough living to know there are seasons when life challenges us, when God gives us opportunities to trust him even when the outlook is bleak. Even when exhaustion overrides all else and I’m hanging by a thread, I trust him because I have seen his faithfulness. I’ve experienced God’s hand on my life and I know he will get me through the hard times. . . . because God’s got this even when I don’t.

 

Kaitlyn Bouchillon writes about praying to God for relief from something awful, only to find Him silent . . . for a long time. Nothing seemed to change.

 

“It’s there, in the place where things don’t make sense,” she writes, “. . . that a miracle begins to take place.”

 

She offers this takeaway: “This is the hard but beautiful truth: The ‘other side’ of The Thing you’re hoping for, praying for, daily asking God for . . . it might not end up looking like what you hoped/prayed/asked. It might be that what changes is  . . . you.

 

“It might be that instead of walls falling,

by God’s grace and His strength,

at the end of it all you’re still standing.

That’s still a miracle.

That’s still an answered prayer.

 

Kaitlyn's words, It might be that what changes is you, reminds me of my own experience of transitioning from mourning to thanksgiving, in Colombia, South America, after suffering several months of culture shock at a remote mission center named Lomalinda (pretty hill). 

 

Equatorial heat and intense humidity brought me to my knees. 


I was utterly discombobulated and, in desperation, I refused to unpack and threatened to run away and walk (!) all the way home to Seattle by way of Central America, Mexico, California, Oregon, and finally arrive in my Washington State.

 

But, after a few months of settling into my job and getting acquainted with Lomalinda’s people, to my surprise, I discovered that I loved living there.

 

I wrote in my memoir, Please, God, Don’t Make Me Go: A Foot-Dragger’s Memoir:

 

“In moving to Lomalinda, I had taken a wild-eyed dive of faith and, halfway into it, I wondered where I’d land. And when I did land, I hit the ground hard. That place seemed so alien and harsh—yet that’s where God rescued me from myself.

 

“I had flown into the mission center as a scared, immature, unadventurous, doubting Thomas. God didn’t need me to accomplish His work in Colombia—He could have found someone else to do my job. He did more inside me than He did through me, and I suspect that was His point all along. He knew my faith and I needed to mature.

 

“Through situations, experiences—sometimes derailing, other times almost imperceptible—God expanded my heart and soul and mind and revolutionized the way I would look at life and Him for the rest of my days.

 

“He showed me that despite my fears and weaknesses,

He is strong.

When chaos reigns, He is in control.

When the unpredictable happens, He’s already there.

When I am vulnerable, He is my protection.

Exhausted, God is my strength.

Under that searing Lomalinda sun, God sheltered me,

and my family, under the shadow of His wings.

When I wanted to pull back,

He took my hand and nudged me forward,

and when my grip grew weary,

His brawny hand held on.

He sat beside me when I grieved over

taking my kids away from

their grandparents, aunts, and uncles.

He became my calm in the storm,

my rock when my world shook.

Every moment, every day, every night,

He hovered over my family and me

and calmed us with His love.

Sometimes God even showed His sense of humor,

though at the time I usually failed to appreciate it.

 

“ . . . If I had refused to move to Lomalinda, I’d have missed tarantulas and scorpions and cockroaches and howler monkeys’ breathy howls in the distance and cicadas’ ear-piercing whistles and parrots’ rowdy calls morning and evening.

 

“I’d have missed eating piraña, boa constrictor, caiman, dove, platanos, ajiaco . . . and cinnamon rolls seasoned with dead weevils. . . . I’d have missed drinking chicha, and tinto, and warm bottled sodas, sometimes with bugs inside.

 

“Before Lomalinda  . . . never would I . . . have envisioned myself chopping up a dead pig on the kitchen floor. . . .

 

“But moving to Lomalinda, despite my whines and protestations, took mephysically, culturally, and spirituallyto places better, higher, and finer than anything I could have dreamed.

 

“Glenny Gardner had welcomed me by showing me the coolest thing he could think of—a boa constrictor. In the same way, Dave wanted his wife and kids to experience the coolest thing he could imagine—living in Lomalinda. Rich offered me the coolest opportunity he knew—a trip to La Guajira. And from the beginning to the end, God, too, was offering me the coolest thing—working in Lomalinda.

 

God had allowed what I would not have asked for

to give me what I didn’t know I wanted.”

(Catherine P. Downing, Sparks of Redemptive Grace)


For more inspiration, click here to read Ashley Travous’s takeaways in her powerful post, To the Woman Who Stole My Husband.  

 

You’ll also find good insights from Reflecting on God’s Wonders in Difficult Times.

 

Take plenty of time to craft your takeaways. Pinpoint your message. Clarity is your goal.

 

Your takeaways will strengthen your readers' faith. They will give them wisdom that they’ll take with them long after they’ve read your final page.

 

Your story can offer hope to those in despair. Your story can model courage overcoming cowardice.  Your story can model calm for those tangled up in chaos.  

 

Your story can shine light in the darkness:

 

“At times, our own light goes out

and is rekindled by a spark from another person.

Each of us has cause to think with deep gratitude

of those who have lighted the flame within us.”

(Albert Schweitzer)

 

Who needs to read your story?

Someone is waiting for your spark to rekindle theirs.



 


Wednesday, June 29, 2022

“Give your chapter endings extra love”


The other day I turned in a library book without finishing it. . . . Sigh. . . . Have you ever done that?


I almost gave up on that book several times but kept telling myself to give it one more try, and then one more try, but eventually I just couldn't keep reading.


Why do we stop reading some books? There are several reasons. It has to do with the story itself, but it also has to do with how the author writes that story. Last week we looked at how to begin your memoir's chapters (Your chapter openings: Do they intrigue readers?) and this week we'll look at how to end your chapters


We all know this: Readers have a choice at the end of each chapter. They can turn the page and begin the next chapter . . . or not.


We want to prevent that "or not."


We must write chapter endings

that motivate readers, that compel them, 

that propel them forward into the next chapter,

and then into the next chapter.


That's why we need to learn to write effective chapter endings.


Book chapter endings aren't supposed to resemble composition endings we penned in college freshman English. Back then we concluded with a summary that tied everything together and provided a satisfying end. Our composition endings brought a sense of closure. Resolution. We might think that's how to end our memoir chapters, too, but that's not the case.


Rebecca Belliston writes, " . . . if we end every chapter with a resolved scene, readers might leave for those Oreos and find something else to do. When it comes to holding reader interest, knowing when to end a chapter matters almost as much as knowing what content to include within the chapter."


Look over your memoir's rough draft. Examine the endings of your chapters. Ask yourself if each compels readers to turn the next page and keep reading.


Here are a few techniques:


Mystery, tension, emotion: Time pressures, threats, or risks motivate readers to keep reading. A sudden death. An unexpected kiss. A forced change of plans.


Surprise: You realize the good guy is the bad guy.


Suspense: End a chapter where a main character is still striving toward a longed-for goal that's been out of reach, but he/she is getting closer and closer.


Ask a question that captivates the reader and makes her want to read more. For example, in my second memoir, Please, God, Don't Make Me Go: A Foot-Dragger's Memoir, I ended one chapter this way:


"But what if Dave's idea wasn't just youthful, half-baked idealism? When he burst through that door with that goofy grin and said, 'We are moving to Lomalinda,' did God burst through with him? With a big grin?' (Please, God, Don't Make Me Go: A Foot-Dragger's Memoir


Drop a new twist into your story—a new conflict, a secret, or something terrifying or dangerous. For example, also from my second memoir:


"Swimmers also admitted their fear that pirañas might chew on them, but that didn't keep them out of the water—unless they had sores on their bodies. With powerful jaws and teeth like razors, pirañas have a reputation for eating a man in a couple of minutes, leaving only a skeleton—but Lomalinda's didn't bite unless they smelled blood, and thus the need for those with an open sore to stay out of the lake. (Pirañas only nibbled on a mole on Dave's knee.)

"And let me tell you about boa constrictors."


Reveal a tidbit of information—maybe good news, maybe bad news—that hints at (foreshadows) the future and creates curiosity. For example:


"The policeman returned and told Will he'd requested reinforcements. 'We will be ready for the terrorists if they come back,' he said. They didn't come back—not that night anyway—but our people remained in the guerrillas' crosshairs for decades to come. Later Will summed it up: 'It was obvious that some who opposed us ideologically were willing and able to kill to remove us from the scene. . . . Terrorism was to affect our lives very significantly for the next several years." (Please, God, Don't Make Me Go: A Foot-Dragger's Memoir)


Another technique is to give readers a candid look into your heart. Be vulnerable, transparent. For example:


"Now I look back on my first few days in Lomalinda and shake my head. I still get an ache in my heart when I remember. But in the years since then, I've learned to extend grace to myself. I can even smile a little. But I wasn't smiling back then." (Please, God, Don't Make Me Go: A Foot-Dragger's Memoir)


Humor is good. Make 'em laugh.


Or make 'em cry.


Here's another tip: End a chapter in the middle of a conflict (real or emotional), or the middle of a critical conversation, situation, or event.


Ashley Martin says, "Look for places in your story where something BIG happens. Once you've found that big event—rewind. When you've found the apex—the point where your character is teetering on the edge of that pivotal moment—FREEZE. Stop your chapter there, and don't reveal what happens until the start of the next."


We call that a cliffhanger.


Aaron Elkins makes this important point: ". . . A cliffhanger ending to a chapter doesn't have to be an action scene. As long as it leaves the reader 'hanging,' you're in business."


Here's another important tip: End your chapters in a variety of ways—mix them up. Be unpredictable.


"One of the best things an author can hear

from a reader is,

'I'm so exhausted.

I stayed up until four in the morning

to finish your book.'

. . . If they're willing to give up sleep,

they must have really liked the book."

Rebecca Belliston


Whatever you do and however you do it, hook your readers. Leave them with irresolution—make them curious to know what will happen next. Compel them to turn the page.


K.M. Weiland says, "Many a book has been declared dead to its reader and cast aside never to be remembered—and all because the reader reached a chapter break and didn't care enough to keep reading."


Weiland continues, "That's the bad news. The good news is that when chapter breaks are done right, many a reader has kept scrabbling through the pages, deep into the night, because he simply couldn't look away from the enticing hooks the author kept planting at the ending  . . . of each chapter."


So, if you don't want your memoir to sit on a shelf and collect dust, invest time in crafting intriguing chapter endings. In the words of K.M. Weiland, "give your chapter endings extra love."  




 

 

Tuesday, June 21, 2022

Your chapter openings: Do they intrigue your readers?


Examine each of your memoir’s chapter openings—the first sentence and the first few paragraphs. Ask yourself:

  • Will each opening intrigue readers?
  • Charm them?
  • Tickle their fancy?
  • Does it hold their interest so they’ll keep reading? 

 

You want your readers to respond positively to your memoir’s chapter openings because that will keep them reading.

 

You can make your chapter beginnings captivating in several ways.

 

You can start a chapter with an emotional experience, allowing readers to get inside your skin, your heart, your mind. It can include conflict. For example, here’s the beginning of Chapter 1 from my most recent memoir, Please, God, Don’t Make Me Go: A Foot-Dragger’s Memoir:

 

My husband, Dave, burst through the front door of our Seattle home and, with a boyish grin and outstretched arms, announced, “We’re moving to Lomalinda! I’m going to teach there!”

 

A few seconds passed before I could wheeze in enough air to speak. “Where is Lomalinda?”

 

“Colombia, South America!”

 

I collapsed to the floor.

 

I’d always expected we’d live a normal, predictable, all-American life but, without warning, my husband declared he had other ideas. . . .

 

Or you can start a chapter with intrigue, suspense. Here’s another example from my memoir:

 

In those days, all flights to Colombia left from Miami so, on July 19, 1976, our little family set out driving from Seattle, stopping in Dallas for pre-field orientation. Between Dallas and Miami, the Wycliffe office contacted us: The Bogotá guest house had been bombed.

 

Bombed? Who would blow up a mission agency? And why?

 

Consider starting a chapter with action:

 

Before dawn on Tuesday, August 17, 1976, the alarm clock jarred us into consciousness. Shivering, we pulled on layers of clothes and stuffed barf bags into pockets. Downstairs in the office, we and the Rushes assembled baggage, seventeen pieces.
 
A van-like taxicab hummed outside the open office door, its red taillights aglow. We piled in and set out. Soon hints of daylight peeked through a haze. Bogotá’s streets already bustled with cars, pedestrians, donkey carts, and buses belching noxious fumes. Our taxi driver zigged and zagged around snarled traffic. We clung to door handles and bumped against each other.
 
The driver brought us to a halt on a block lined with one-story buildings, soot-covered, grim. Decaying fruit and vegetables littered street and sidewalk, along with shreds of yellowed newspapers, bloody spittle, cigarette butts, and more. I forced my eyes to focus instead on our cabby, who darted through a filthy door.
 
A pack of men spied us. They wore woolen garments, torn and frayed. Hair tangled, matted. Teeth missing. Faces and hands smudged with the gray that clung to doors and walls and air. One of them sauntered toward our taxi, stooped, and peered at us, his nose nearly touching the window. He snarled what was, I guessed, an obscenity, tottered sideways, turned, and shuffled away. (Please, God, Don't Make Me Go: A Foot-Dragger's Memoir) 


Another way to start a chapter is by describing a scene so readers feel they're with you in your story: 


November turned to December. Back home, Seattle would be a place of swollen clouds and rain, and frost once in a while. People would be wearing rain boots and raincoats and stocking caps and gloves. Family and friends would have recently gathered for Thanksgiving, a squally season when tempests stirred up wild seas and sent ferry boats bobbing and careening, when windstorms downed trees throughout the Puget Sound region, caused widespread power outages, left half-baked turkeys and pumpkin pies in cold ovens, and drew people together around fireplaces in homes perfumed by wood smoke.

 

But Lomalinda was into the dry season with clean cerulean skies and hardly a wisp of a cloud. Daytime temperatures rose to over a hundred degrees in the shade—cruel, withering. The green scent of rainy season had given way to the spicy fragrance of sun-dried grasses. Immense stretches of emerald disappeared, leaving grasslands stiff and simmering under unrelenting sun.

 

Muddy paths and single-lane tracks turned rock-hard and, with use, changed to dust. Yards and airstrips and open fields turned to dust, too. From sunrise to sundown, a strong wind blew across the llanos, a gift from God because it offered a little relief from the heat. On the other hand, we had to use rocks and paperweights and other heavy objects to keep papers from blowing away. Dust blew through slatted windows and into homes and offices and settled on our counters and furniture and in cracks and crannies and on our necks and in our armpits and up our noses. (Please, God, Don't Make Me Go: A Foot-Dragger's Memoir)

 

Matilda Butler offers the following tips:

 

Another way "Make a list that includes just the first sentence of each of your chapters. . . . Critique each of these using these considerations:

  • Does the opening sentence place the reader immediately into the scene? This is not a time for a warm-up set of words.
  • Does the opening sentence of each chapter move the story forward? (Even a chapter of backstory moves the story forward by providing necessary history for the characters.)
  • Does the opening sentence foreshadow what is to come in a way that intrigues the reader?

 

How well-written is each first sentence? Once you are satisfied with your openings, add the rest of each paragraph to your list.

  • Look at how the remainder of each paragraph is used to enrich its first sentence.
  • Is your wording clear?  Does it bring the reader along or alienate the reader or, even worse, bore the reader?” (Memoir Writing Prompt: A Running Start with Each Chapter)

 

If you struggle with how to begin your chapters, consider the following excellent advice:

 

“If you still feel stuck at every new chapter,

don’t think about chapters at all.

Write continuously until you finish the first draft,

then you can go back

and divide what you’ve written into chapters

(and make changes as needed).

Remember: good books are not written,

they are rewritten.”

(“How to Start a Chapter,” Clippings.me Editorial Team)




 

Tuesday, April 13, 2021

An opportunity for you: Free online memoir workshop

They still have a few openings for this workshop. Join us! 



On Saturday, April 17, I’ll offer a free online memoir-writing workshop. Here’s the press release:


Writers of Warrensburg to host online workshop


Writers of Warrensburg is hosting “Making Memoirs: Even YOU Can Write One!” an online workshop April 17 featuring Linda Thomas, local author, speaker and memoirist.


With this workshop suited to beginners through authors with a manuscript seeking to publish, all will learn the steps and pitfalls of crafting a memorable memoir.


Whether the subject of a memoir has led an ordinary or extraordinary life, Thomas has the knowledge to help writers better share their stories.


Thomas, her husband and their youngsters lived in Colombia, South America, for three years working with Wycliffe Bible Translators. Her memoir, Please, God, Don’t Make Me Go: A Foot-Dragger’s Memoir, captures both the joys and challenges of living in a remote locale targeted by Marxist guerrillas.


Later, she and her husband, as empty-nesters, took an eight-year assignment in Africa. Her memoir, Grandma’s Letters from Africa, covers her first four years working as a missionary journalist.


Thomas’ work has appeared in newspapers, magazines, newsletters and blog posts. Learn more at her blog, Spiritual Memoirs 101. 


This free event is a two-hour session with Thomas and access to materials is provided. A computer capable of video and audio connection is required for the session.


Questions and enrollment may be made to Administrator G.A. Edwards at gaedwards1@earthlink.net or 660-362-0014.


Writers of Warrensburg is a local group dedicated to furthering the skills of authors by providing information on writing craft, publication practices and effective marketing strategy. All are welcome at free online meetings on the first and third Tuesdays of each month.


More information about Writers of Warrensburg and writing resources is available at writersofwsbg.weebly.com.


Contributed by Writers of Warrensburg.


Tuesday, April 6, 2021

An opportunity for you: Free online memoir workshop

 

On Saturday, April 17, I’ll offer a free online memoir-writing workshop. Here’s the press release:

 

Writers of Warrensburg to host online workshop

 

Writers of Warrensburg is hosting “Making Memoirs: Even YOU Can Write One!” an online workshop April 17 featuring Linda Thomas, local author, speaker and memoirist.

 

With this workshop suited to beginners through authors with a manuscript seeking to publish, all will learn the steps and pitfalls of crafting a memorable memoir.

 

Whether the subject of a memoir has led an ordinary or extraordinary life, Thomas has the knowledge to help writers better share their stories.

 

Thomas, her husband and their youngsters lived in Colombia, South America, for three years working with Wycliffe Bible Translators. Her memoir, Please, God, Don’t Make Me Go: A Foot-Dragger’s Memoir, captures both the joys and challenges of living in a remote locale targeted by Marxist guerrillas.

 

Later, she and her husband, as empty-nesters, took an eight-year assignment in Africa. Her memoir, Grandma’s Letters from Africa, covers her first four years working as a missionary journalist.

 

Thomas’ work has appeared in newspapers, magazines, newsletters and blog posts. Learn more at her blog, Spiritual Memoirs 101.

 

This free event is a two-hour session with Thomas and access to materials is provided. A computer capable of video and audio connection is required for the session.

 

Questions and enrollment may be made to Administrator G.A. Edwards at gaedwards1@earthlink.net or 660-362-0014.

 

Writers of Warrensburg is a local group dedicated to furthering the skills of authors by providing information on writing craft, publication practices and effective marketing strategy. All are welcome at free online meetings on the first and third Tuesdays of each month.

More information about Writers of Warrensburg and writing resources is available at writersofwsbg.weebly.com.

Contributed by Writers of Warrensburg.

 

Tuesday, August 27, 2019

Finally! Amazon now sells my e-book! (and other good news)


Whew! It has taken close to three months but, finally, as of yesterday, Amazon is selling the e-book version of my memoir, Please, God, Don’t Make Me Go: A Foot-Dragger’s Memoir.

A special thanks to Barnes and Noble for selling both the print book and e-book from the very beginning, June 4. Because of that, I’ve been referring everyone to them.

Amazon has sold my print book since day one, but I had to fight one battle after another after another to get Amazon to (1) sell my e-book and (2) install the “Look Inside” feature.

Also, I want to share with you this endorsement from a special person:

I read [Please, God, Don’t Make Me Go: A Foot-Dragger’sMemoir] over the weekend and had a hard time putting it down. 
At times I found myself laughing out loud, especially at some of the cute stories you include about your children. 
Other times I read through tears, imagining some of the heartache the Lomalinda team endured. 
Your writing style is engaging and descriptive. I also enjoyed looking at the photographs you included. 
Thank you for your Wycliffe service and for saying “yes” to God’s call on your life. 
Blessings,
Vicky Mixson, Executive Vice President and Chief Communications Officer, Wycliffe Bible Translators USA
  
I told you it was from someone special!


Also, many thanks to memoirist Kathleen Pooler who left a five-star review (!) at Amazon and Goodreads. Check it out at this link.

Thank you to everyone
for the nice comments you’re making about

I hope you’ll think about
doing what Kathy Pooler did
leave a review on Amazon,
Barnes and Noble, Goodreads, etc.

Reviews are like a much-needed
pat on the back for weary authors!


Check out Kathy’s blog, Memoir Writer’s Journey. Also, I encourage you to consider buying and telling others about Kathy’s excellent first memoir, Ever Faithful to His Lead: My Journey Away from Emotional Abuse. Her new memoir will be released soon.