It
used to be that people didn’t include scandalous stuff in their memoirs. We
lived in a modest, dignified culture.
But
then things changed. Memoirists tossed out gentility and decorum, and our
society entered into what William Zinsser calls “The memoir-crazed 1990s.”
It
was a time, he says, when people disclosed shocking information, indulged in
self-pity, and sought revenge, a time when “no remembered episode was too
squalid, no family too dysfunctional, to be trotted out for the titillation of
the masses.”
But,
he points out, those types of memoirs didn’t stand the test of time. (Hooray!)
That
era did have a few good memoirs, though.
“The
memoirs we do remember from the 1990s,” says Zinsser, “are the ones that were written
with love and forgiveness, like Mary Karr’s The Liar’s Club, Frank McCourt’s Angela’s
Ashes, Tobias Wolff’s This Boy’s Life, and Pete Hamill’s A Drinking Life.” (From
“How to Write a Memoir” in The American Scholar.)
“Anyone
might think” he says, “the domestic chaos and alcoholism and violence that
enveloped those writers when they were young would have long since hardened the
heart.”
And
yet they did not have hardened hearts. For example, “The marvel of Frank
McCourt’s childhood is that he survived it. . . . The second marvel is that he
was able to triumph over it in Angela’s Ashes, beating back the past with grace
and humor and with the power of language.”
Each
of those four authors “look back with compassion. . . . These books…were written with love. They elevate
the pain of the past with forgiveness, arriving at a larger truth about
families in various stages of brokenness.
. . .
“There’s
no self-pity, no whining, no hunger for revenge; the authors are as honest
about their young selves as they are about the sins of their elders. (Writing About Your Life) (If you missed it,
be sure to read Don’t start writing your memoir until . . .)
“We are not victims, they want us to know. . . . We have endured to tell the story without judgment and to get on with our lives. . . .” (Zinsser, Writing About Your Life)
If
you’re writing about pain caused by others, be cautious and honest about your
motives.
Avoid
writing:
- to get revenge, settle the
score, or retaliate,
- to humiliate a person,
company, or organization,
- to get readers to pity you,
- to get readers to take sides with
you, or
- to indulge in self-pity.
Examine
your heart and if you find even traces of writing for any of those reasons,
stop! That’s not what memoir is about.
Extend
to others the same forgiveness, grace, and mercy God has extended to you. (See
last week’s post, How do you write about your family’s baggage?)
Let
the following dwell in your heart and mind as you write:
“At
our best,
memoirists
hope it is silence we are breaking,
and
not another person.”
“If
you use memoir to look for your own humanity
and
the humanity of the people who crossed your life,
however
much pain they caused you,
readers
will connect with your journey.
What
they won’t connect with is whining.
Dispose
of that anger somewhere else.”
That
somewhere else could be in your journal—for your eyes only—or in a fictionalized
version of your story.
Or
it could be a first draft. Dr. Linda Joy Myers advises,
“Write
your first draft as a healing draft.
Get
out what you need to say.
Make
it bold and real.
Then
stand back and think about
how
you want to revise it for publication.”
(Will My Family Get Angry About My Memoir?)
In
that rough draft, write about the injustices, mistreatment, hurt feelings,
anger, scars, and tears. Write about destroyed dreams, confusion, hopelessness.
Write
it all. Write it as a prayer.
Write
until you know God has heard you.
Write
it as a way of asking Him
to
help you forgive and move on.
Since
that process usually takes time, set aside your private writing (rough draft)
for a week or a month or a year. Listen for God, let Him work in your heart and
mind.
Your
goal is to move from anger to forgiveness, from pain to compassion. When you
succeed in that, you can throw away that rough draft, or at least commit to
keeping it private.
And
then rewrite your memoir.
Rewrite
deliberately to “elevate the pain of the past with forgiveness.”
Rewrite
with integrity.
Delete
the wallowing.
Write
not as a wounded victim,
but
as one who has triumphed,
as
one who has forgiven, healed,
and
moved forward in a good way.
Write
like Frank McCourt did:
Beat
back the past with grace—
and
maybe even with a little humor.
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