“Words—especially
religious words, words that have to do with the depth of things—get tired and
stale the way people do,” writes Frederick Buechner. “Find new words or put old
words together in combinations that make them heard as new, make you yourself
new, and make you understand in new ways.” (From Now and Then; emphasis mine)
Think
about it: Written words are merely scribbles and scratches on paper or black
squiggles on a computer screen.
But words
pack punch. They have power. Potential.
Words
inspire, comfort, entertain, make the heart soar, cause laughter or tears.
Words can change lives.
Words are
a memoirist’s most important tools. We must use them with excellence.
Use crisp,
bright, refreshing words—
but avoid
ornamental words,
extravagant,
snobbish words,
self-important
words to impress readers,
elusive
words that make your readers get up and find a dictionary.
A good
thesaurus and dictionary can be a memoirist’s best friend. Computer programs
usually have a thesaurus—a minimal one, but one that can help find a better
word quickly.
“There is
something about words. In expert hands, manipulated deftly, they take you
prisoner,” writes Diane Setterfield. “Wind them around your limbs like spider
silk, and when you are so enthralled you cannot move, they pierce your skin,
enter your blood, numb your thoughts. Inside you they work their magic.”
James Michener writes, “I love the swirl and swing of words as they tangle with human
emotions.”
“The right
words in the right order might be worth a thousand pictures,” says Roy Peter
Clark in How to Write Short.
“Words
whispered, shouted, and sung.
Words that
move, dance,
and change
in size and color.
Words that
say,
When God
says,
‘Let there
be light’ (Genesis 1:30),
light is.
. . .
It is this
creative power of the word
we need to
reclaim.”
Henri
Nouwen, Bread for the Journey;
emphasis
mine)
Look over
your manuscript and replace boring, tired words with words that have zing and
pizzazz and melody and texture.
“Writing
is the painting of the voice.”
Voltaire
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