Do you want to write stories people will read, stories
people will enjoy? Stories that will
stick?
If so, write with zest and zing and sparkle—but don’t stop there.
Craft a believable story: include the stink,
the slime, the sludge.
And don’t leave out the grime, the guts, the grunge.
Maybe your story is about children
clawing through heaps of garbage searching for something to eat. Raw sewage
flows between row after row of rusty, crumbling, patched-together dwellings. Describe
the stench. Go beyond smell: Include the other four sensory words—sounds, feels, tastes, and sights.
In A
Walker in the City, published in 1951, Alfred Kazin has returned to his
childhood home in the Brownsville district of Brooklyn. He writes with passion and energy about everyday sights
and experiences. He creates vivid
images and includes sensory details.
He wrote, “The greasy, spattered front
steps, just off the Chinese hand laundry in the basement, led into what must
have been the vestibule of a traditionally stately Brooklyn Heights mansion.
Despite the metal shields holding up the battered front door, you could see
that it once had been a beautiful door.…”
“… I would lie in bed listening to tugs
hooting three blocks away; the harbor was all around me.… The evenings were
lonely and even a little terrible as I lay on a couch in the other room.…”
“ … I step off the train at Rockaway
Avenue, smell the leak out of the men’s room, then the pickles from the stand
just below the subway steps.… An instant rage comes over me, mixed with dread
and some unexpected tenderness.
“It is always the old women in their
shapeless flowered housedresses and ritual wigs I see first; they give
Brownsville back to me. In their soft dumpy bodies and the unbudging way they
occupy the tenement stoops, their hands blankly folded in each other as if they
had been sitting on these stoops from the beginning of time, I sense again the
old foreboding that all my life would be like this.” (from Inventing the Truth: The Art and Craft of Memoir, William Zinsser)
This summer, if you’re polishing
already-written vignettes, look for ways to use specific words, precise words,
compelling words.
Write with passion, gusto, and zeal.
Include the tang, the spice, and the
pizzazz—but avoid sugar-coating.
Don’t shy away from the disgusting, the
vile, the mire.
Be real about the bite, the wound, the
burn, the sting.
Always remember Donald Murray’s words:
“Revision is not punishment.”
Revision is your opportunity to polish your
manuscript and make it shine.
