If you’re reading
this, you’re probably writing a memoir—or you want to write a memoir.
Be encouraged. Your words are important. Your story is important. Others need to know your story. Believe it.
Henri Nouwen says it this way:
We need each other, right? Community is a blessing. God-designed. Your memoir can create a much-needed community, of one type or another.
Be encouraged. Your words are important. Your story is important. Others need to know your story. Believe it.
Henri Nouwen says it this way:
“When . . . the lived human experience . . .
becomes word, community can develop.
When we say, 'Let me tell you what we saw.
Come and listen to what we did.
Sit down and let me tell you what happened to us.
Wait until you hear whom we met,'
we call people together
and make our lives into lives for others.
The word brings us together and calls us into community.”
(Henri Nouwen's Bread for the Journey)
We need each other, right? Community is a blessing. God-designed. Your memoir can create a much-needed community, of one type or another.
Will Boast wanted to
write a memoir—at least eventually he did, after trying to force his story
into a novel.
Will learned lessons
along the way, and he wants to pass them on to you—and, don’t you long to know
more about how to write your story? I hope so!
In his blog post, 5 Tips for Writing a Memoir (be sure to click on that link), Will shares the
following. (I’ve included only snippets; be sure to read his entire post.)
If fiction is the
art of invention, memoir is the art of selection and arrangement. Will writes,
“. . . It took me a year, at least, before I stopped suffocating under all the stuff
that goes into a memoir and started to find, among the debris, the struts and
beams that would form the structure of the story.”
Memoir is the most
flexible of forms, out of necessity. “Life rarely, if ever, bothers to present
us with a tidy series of events that, with a steadily increasing sense of
tension and/or mystery, suddenly resolves into understanding, triumph, release,
etc. . . . It’s the memoirist’s task,” Will says, “to create
connections—emotional, thematic—between episodes.”
Sympathy is perhaps
the trickiest thing to manage in memoir. “There are two sorts of memoirs I
really can’t stand: those that make the writer out to be heroic and perfect,
and those that make him out to be tragic and debased,” Will says.
Memory is mysterious
and fallible, but not as much as we fear. “A memoir aspires to be a recreation
of events, not a transcript, but that doesn’t mean it can’t get very close to
the truth indeed.”
Memoirs, unlike
novels, don’t end. “. . . This most self-aware, self-reflexive of forms
[memoir] keeps on commenting on itself, attaching new codas and footnotes to
each chapter, and subtly re-writing the words you’ve labored so hard to make
definitive.”
Be sure to read the
entirety of Will’s post, 5 Tips for Writing a Memoir. It will take only a few
minutes. Also check out his memoir, Epilogue.